A special issue of Qüestions de Vida Cristiana delves into Antoni Gaudí's profound spirituality and its influence on his architectural masterpieces, particularly the Sagrada Familia.
In a significant tribute to Antoni Gaudí, a new monograph titled Gaudí: espiritualitat, natura i arquitectura has been released by Qüestions de Vida Cristiana, coinciding with the centenary of the architect’s death. This comprehensive volume features contributions from up to fifteen experts who explore how Gaudí’s deep religious beliefs shaped his iconic designs.
The opening article by Francesc Torralba emphasizes that despite Gaudí’s limited written output and his reserved nature regarding personal faith, his spirituality is evident through the intricate religious symbolism embedded in his work. Notably, Torralba points out that every detail of the Sagrada Familia carries a religious significance, reflecting Gaudí’s desire to express Christian faith through architecture. He viewed nature as a direct manifestation of divine creation, believing that the beauty of his buildings served as a pathway to God.
Armand Puig, who authored an acclaimed biography on Gaudí, investigates the religious texts that influenced him. He suggests that works such as the Bible of Torres i Amat and Prosper Guéranger’s L’Année Liturgique played crucial roles in shaping Gaudí’s spiritual vision. Puig highlights how elements from the Book of Revelation inspired him, particularly seen in the four living creatures—symbols representing each Gospel—that adorn the towers of the Sagrada Familia alongside Christ’s tower.
During a recent lecture in Figueres organized by Amigos de la Iglesia de Sant Pere and Amics dels Museus Dalí, Puig drew parallels between Gaudí’s and Salvador Dalí’s spiritual explorations within their respective artistic realms.
Jordi Graupera further elaborates on Gaudí’s Germanic roots and philosophical influences from thinkers like Goethe and Hegel. Oriol Pi de Cabanyes describes Gaudí as “transmodern,” suggesting that he perceived his work as part of a broader historical narrative rather than merely an expression of individual genius. Jaume Aymar notes that this perspective is reflected in how Gaudí intentionally left parts of his designs unfinished for future generations to complete—much like medieval cathedral builders did.
Chiara Curti contributes an article focusing on Gaudí’s unique approach to engaging children with the Sagrada Familia. Rather than soliciting donations from young visitors, he encouraged them to write about their experiences at the temple—a move aimed at fostering continuity between generations.
The volume also includes Anna Vallugera’s critical analysis which shifts away from viewing Gaudí solely as a genius. She examines how societal contexts influenced projects like the Sagrada Familia amidst historical turmoil such as La Semana Trágica. Vallugera argues that while social scars are evident in aspects like anarchist imagery on building facades, these are often overshadowed by tourism-driven narratives surrounding the site.
Other contributors delve into specific relationships and influences surrounding Gaudí: Ignasi Moreta discusses ties with poet Joan Maragall; Natàlia Esquinas highlights his sculptural endeavors; Rosa Ribas analyzes San Juan de la Cruz’s impact on design details; Josep Galobart reviews connections with Montserrat; Cristina Ortiz reflects on his role at Mallorca Cathedral; Oriol Pérez i Treviño emphasizes plans for multiple organs within Sagrada Familia as part of its “sonic crown.” Rafael Argullol engages with Graupera about appreciating Subirachs’ sculptural ensemble more deeply over time.
The monograph concludes with a poignant poem by physicist David Jou urging readers to recognize mystical and artistic reasoning alongside scientific thought—a fitting homage to both Llull and Gaudí.
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