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The future of the TNC: voices from the Catalan scene propose a new direction

The Teatre Nacional de Catalunya prepares to choose its new director as playwrights propose a renewed focus on contemporary creation and cultural inclusion.

Nuria Martínez
Nuria Martínez
· 3 min read

A change of direction on the horizon

With Carme Portaceli's term as artistic director of the Teatre Nacional de Catalunya (TNC) coming to an end, a crucial period opens for the emblematic theatre space. The recent selection of a dozen candidates from the 40 submitted marks the beginning of a process that will culminate in June with the election of the new director. This change not only implies new management but also an opportunity to redefine the mission and vision of the TNC within the Catalan cultural context.

In recent conversations with playwrights and directors who have made their mark on the TNC, such as Sergi Belbel and Xavier Albertí, ideas emerge about what the essence of the national theatre should be. Albertí emphasizes that “the primary mission is to transform the spectator into a citizen,” suggesting that each performance should invite reflection on civic and cultural issues. For him, the theatre must be a space where the Catalan language is respected and promoted as a fundamental part of its identity.

The need to promote contemporary creation is a shared call among those interviewed. Àlex Rigola argues that the TNC should focus on innovative proposals that reflect current voices, beyond the classics. “Identity is built with artists who can be recognized as an integral part of the theatre,” Rigola states, advocating for the continuation of significant artistic projects.

Glòria Balañà also highlights the importance of supporting female creators and fostering original productions that have a prolonged life both on and off the stage. “It is essential to establish connections with other European theatres to project our stage creation,” Balañà points out, thus underscoring a commitment to greater diversity and inclusion in the performing arts.

As the next director of the TNC is being shaped, debates arise about the necessary qualities for this role. Victoria Szpunberg proposes that this person should have a strong public awareness and be able to manage both the artistic and institutional aspects. For his part, Sergi Belbel advocates for someone with enough experience to consolidate careers without losing focus on new creations.

As the final decision approaches on who will take the reins of the TNC, it is clear that this process is not just administrative; it is an opportunity to revitalize the Catalan theatrical landscape. With diverse voices calling for a bold and inclusive approach, the future of the TNC could mark a new chapter in its history, one where both tradition and innovation are prioritized.

Nuria Martínez

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Nuria Martínez